3x08 - What Hurts the Most

[Prue Brianna Johnna Halliwell]

DESTINED

"WHAT HURTS THE MOST"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

FAST MOTION TAKES FROM ALL OVER THE TOWN.

CUT TO:

EXT. NATIONAL MUSEUM - DAY

STOCK.

CUT TO:

INT. NATIONAL MUSEUM - TAMORA'S OFFICE - DAY

Sebastian is sitting at Tamora's desk. He's waiting. Tamora comes in. She stops as she sees him. She reacts as if she wasn't waiting to see him there. Tamora rolls her eyes. She walks towards her chair.

TAMORA

Did we book a meeting?

Sebastian stands. He seems ashamed.

SEBASTIAN

No. I came because we need to talk.

TAMORA

Is it about work?

SEBASTIAN

It's about us.

Tamora shoots him a look.

TAMORA

Us? There's no us to talk about.

SEBASTIAN

(begging)

Tam, please.

TAMORA

(mad)

My name is Tamora. I have nothing to talk to you, Mr. Whitmore.

Tamora runs to leave the office. Sebastian is not ready to give up.

SEBASTIAN

I know you're mad.

Tamora turns to face him.

TAMORA

(sarcastic)

Mad? Why would I be mad?

She doesn't let him talk.

TAMORA (CONT'D)

(mad)

Wait! Would it be because you asked me on a date and kept me waiting for hours or because you didn't have the balls to face me and tell me you were not ready to date me?

SEBASTIAN

It's nothing like that, Tam. Let me explain.

Tamora is serious.

SEBASTIAN (CONT'D)

I have a few things in my mind right now, but it doesn't mean I don't want to be with you.

TAMORA

What things are those? Does it has something to do with that woman you left to meet?

Sebastian lowers his gaze.

TAMORA (CONT'D)

If you want me to believe you, you need to trust me. You can trust me, Sebastian.

Sebastian looks her straight on the eyes.

SEBASTIAN

I trust you.

TAMORA

Then?

 
Sebastian turns around. He thinks of a way to start. Sebastian turns around.

SEBASTIAN

This woman I'm looking for --- she ---

(takes a deep breath)

I promised to my father that I would find her and protect her.

TAMORA

(interested)

Why?

SEBASTIAN

Because she was the daughter of his best friend.

TAMORA

Where is she?

SEBASTIAN

I thought I had found her, but I went to her place and she wasn't there. The whole place was a mess.

(pauses)

Then I tried to reach her at the Bay Mirror, but no one knows her whereabouts.

That calls Tamora's attention.

TAMORA

The Bay Mirror? Why would you look for her at the Bay Mirror?

SEBASTIAN

Because she works there. Well, she actually works at Mirror's Magazine.

Tamora is serious. Sebastian notices it.

TAMORA

My cousin is in charge of Mirror's Magazine.

SEBASTIAN

(surprised)

What?

TAMORA

Wyatt.

SEBASTIAN

Are you sure?

TAMORA

Of course, I'm sure. Aunt Phoebe is the Editor Chief of the Bay Mirror.

Sebastian is really surprised.

TAMORA (CONT'D)

I thought I had told you that.

SEBASTIAN

Maybe you did, but I guess I didn't remember it.

They look at each other.

TAMORA

What's her name?

Sebastian takes a deep breath.

SEBASTIAN

Melissa.

(pauses)

Melissa Cooper.

BEAT. Tamora is astonished.

TAMORA

I need to take you to someone.

Tamora takes Sebastian's hands and drags him out of there.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Guest Starring

Katie Cassidy as Melissa

John Wesley Shipp as Ignatius

Peter Facinelli as Sebastian

Shay Mitchell as Olivia

John Barrowman as Christopher

Dylan O'Brien as Tyree

Alex Mauriello as Oracle

Sela Ward as Ashley Morrison

Andy Mackenzie as Parasite Demon #1 

Nicholas Sadler as Parasite Demon #2

Joe Heayn as Butler

Unknown actors as Demon Guards #1 and #2

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Various shoots of some famous landmarks as the Golden Gate, at the sound of 'DIE YOUNG' by Kesha.

CUT TO:

EXT. HALLIWELL'S - DAY

STOCK.

CUT TO:

INT. HALLIWELL'S - DINING ROOM - DAY

There are no customers, only Melinda, Junior and Christopher are there. They are sitting at a table. Melinda looks serious at Christopher. Junior looks serious at Melinda.

MELINDA

So...

Christopher glances at Junior.

MELINDA (CONT'D)

Waiter. 

(to Christopher)

Have you ever imagine yourself doing that?

CHRISTOPHER

Well, I never imagine I could get out of jail.

MELINDA

Of course.

CHRISTOPHER

But I can learn. I had a job inside the prison.

MELINDA

What was it?

CHRISTOPHER

Well, it was a job in the library. 

MELINDA

Oh!

(forces a smiles)

Nothing to do with this.

JUNIOR

Mel, I'm sure Christopher can learn.

Melinda looks at them. She's serious. Melinda takes a deep breath.

MELINDA

Fine. Mr. Mercer, you're hired.

Christopher smiles. Melinda stands. Junior and Christopher stand.

CHRISTOPHER

Thank you. You won't regret.

MELINDA

I hope not.

(serious)

Mr. Mercer, I'm only doing this because of my cousin. So, don't miss this opportunity to prove you deserve a second chance.

CHRISTOPHER

Don't worry, Miss Halliwell. I won't.

MELINDA

Call me Melinda. We'll be working together anyway.

Junior and Christopher smile.

JUNIOR

Thank you, Mel.

Melinda reaches out her hand. Christopher and Melinda shake hands.

MELINDA

You can start tomorrow.

Christopher smiles. Junior and Melinda exchange glances.

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - DAY

CLOSE UP: THE MEDALLION ON THE TABLE.

Ignatius stands next to it. He looks serious at the medallion. It looks as if he's planning something. Tyree comes in followed by the Oracle.

TYREE

Boos, she's here.

Ignatius turns to face them.

IGNATIUS

Oracle, tell me one last time where's the book?

The Oracle looks serious at Ignatius. Soon, her eyes hit the medallion on the table.

ORACLE

(surprised)

You got it!

Ignatius glances at the medallion. Then he looks back at the Oracle.

IGNATIUS

Any doubts I would?

ORACLE

To be honest, I did. It's been eons since that evil walked on ---

She pauses.

ORACLE (CONT'D)

Actually, it never got to walk on Earth before.

IGNATIUS

What do you know about him?

ORACLE

Not as much as I wanted. Just what the visions gave me and the stories I heard.

IGNATIUS

Then, tell me. Where's the book?

ORACLE

I already told you. Sebastian has it.

IGNATIUS

Where?

ORACLE

That I don't know. He keeps it hidden.

Ignatius gives his back on her.

IGNATIUS

I think it's time I look for that book myself.

Ignatius smiles wickedly.

IGNATIUS (CONT'D)

But I need to keep them busy.

TYREE

What are you gonna do, boss?

Ignatius smiles.

IGNATIUS

There's a pair of demons that I used to like. They were vanquished, but ---

(smiles)

--- I guess I can reverse that.

Ignatius smiles and WAVES his right hand. Soon a pair of demons appear. BEAT. PARASITE DEMONS. The same ones that were vanquished more than twenty years ago. The Parasite Demons look around.

IGNATIUS (CONT'D)

Guys, nice to see you again.

PARASITE DEMON #1

What do you want?

IGNATIUS

I want to give you the chance to get your revenge.

(smiles)

You've got 24 lucky hours to get it.

Ignatius smiles wickedly.

CUT TO:

EXT. DRA. ASHLEY MORRISON'S OFFICE - SIDEWALK - DAY

People walk on the sidewalk. Wyatt and Prue meet at the entrance. They look each other deeply in the eyes.

WYATT

You came!

PRUE

Surprised?

WYATT

I am, actually.

PRUE

Well, you were very clear when you said you wanted me here.

WYATT

I didn't want you to come if you don't want to.

PRUE

Yes, you do. You've made clear that you are in charge of things now.

WYATT

I just want us to follow our mothers' suggestions.

PRUE

Yeah, right.

Prue seems irritated with the situation.

PRUE (CONT'D)

At least it's not a magical counselor. That would be too much.

Wyatt rolls his eyes.

WYATT

Can we go in?

PRUE

(sarcastic)

Yes, boss!

Prue sounds sarcastic. Wyatt signs her to enter. She doesn't. She shoots him a 'you first' look. Wyatt rolls his eyes again. He heads in. Then Prue follows him.

CUT TO:

INT. DRA. ASHLEY MORRISON'S OFFICE - OFFICE - DAY

Wyatt and Prue sit on the sofa. They are serious. Ashley sits in front of them. She looks at them.

ASHLEY

It's nice to meet Phoebe's daughter.

(smiles)

The eldest daughter.

PRUE

I didn't know you were expert in couples.

ASHLEY

I'm not. I'm doing it because your mother asked me. She wanted someone she trusted to deal with this.

Wyatt and Prue seem tense. Ashley notices it.

ASHLEY (CONT'D)

So, let's talk about what's going on between the two of you.

(pauses)

How did you both met?

Wyatt and Prue exchange glances.

PRUE

We are cousins. We've known each other since ever.

WYATT

(sarcastic)

Or I thought I did.

Prue rolls her eyes. Ashley seems surprised.

ASHLEY

Cousins? Phoebe didn't mention that.

PRUE

(sarcastic)

Yeah, that's the look!

ASHLEY

I'm sorry, Prue. It's just that ---

WYATT

(cuts her off)

It's unusual. We know. We got the same look from our family as well.

PRUE

But it was a normal thing centuries ago. Cousins marrying cousins.

ASHLEY

You're right. We are in the twenty-first century. I just never met a couple of married cousins.

PRUE

Well, that kind of stuff runs in our family line. The weird stuff!

Prue sounds sarcastic. Wyatt shoots her a look.

ASHLEY

Do you regret it, Prue?

Prue looks serious at Ashley. Wyatt waits for Prue's answer without looking at her.

PRUE

I don't, but if it was today I would think it through longer.

Wyatt looks at her.

ASHLEY

What about you, Wyatt?

Wyatt deviates her eyes from Prue and looks at Ashley.

WYATT

I don't either.

(pauses)

But I realized I never knew her real self.

PRUE

(mad)

My real self?

Wyatt doesn't look at Prue.

ASHLEY

(to Wyatt)

What do you mean?

WYATT

I mean that she changed after we wed.

PRUE

I didn't change.

WYATT

Yes, you did.

ASHLEY

How has she changed?

Wyatt lowers his gaze.

PRUE

He believes I'm dark.

ASHLEY

(admired)

Dark?

WYATT

She meant ---

PRUE

He thinks I'm not a good person.

Wyatt shoots her a look.

WYATT

(mad)

You let a demon got away!

Wyatt spoke without thinking. Ashley is open-eyed as she hears the word demon.

ASHLEY

(to Wyatt)

Did you say demon?

PRUE

(disguises)

That's how she calls a friend of mine.

WYATT

Oh, now he's a friend?! That's new.

ASHLEY

What friend?

WYATT

She has a fan. A man who's in love with her.

PRUE

He's not ---

WYATT

(mad)

Don't deny it!

Ashley tries to calm them down.

ASHLEY

Prue. Wyatt. Please.

PRUE

(to Ashley)

The only thing I did was protecting Conrad from Wyatt.

ASHLEY

(interested)

Protecting him how?

WYATT

(to Ashley)

She's afraid that I vanquish him.

Then again, he spoke without thinking. Ashley is even more surprised as she hears the word 'vanquish'.

ASHLEY

Wait. Vanquish?

PRUE

He meant take satisfaction. That's Wyatt. He uses a lot of weird words in his vocabulary. He is a journalist.

Wyatt shoots her a look.

PRUE (CONT'D)

You know what?

(stands)

This is not working for me.

(to Ashley)

Thank you, Dra. Morrison, but I'm done.

Wyatt stands. Prue runs out of the office. Ashley stands. Wyatt goes after Prue. Ashley shrugs.

CUT TO:

INT. DRA. ASHLEY MORRISON'S OFFICE - RECEPTION AREA - DAY

Prue comes quickly from the office and almost runs into Cassandra who's coming in. Prue passes by Cassandra without saying a word. Wyatt and Ashley come out of the office.

WYATT

Prue!

CASSANDRA

(surprised)

Wyatt? What's going on?

WYATT

Your sister is driving me nuts!

Wyatt walks out of there fast. Cassandra approaches Ashley.

CASSANDRA

Dra. Morrison, what were they doing here?

ASHLEY

Couples therapy. Your mum asked me.

CASSANDRA

By the way they left, I think that didn't go well.

ASHLEY

(forces a smile)

No. It didn't. They have bigger problems than I thought.

CASSANDRA

You have no idea.

Both stare at each other for moments. Then, Alison signs Cassandra to get into the office. Cassandra does. Ashley heads in as well and closes the door.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. BAY MIRROR - DAY

People come in and out the building.

CUT TO:

INT. MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

No one is there. Chris comes in fast and heads towards the small fridge on the corner.

CHRIS

I need a coke!

He opens the small fridge and starts looking for a coke. He stops as something calls his attention. He seems astonished. He takes something from the fridge. He looks at a tupperware with something inside. Chris stands astonished looking at the tupperware he's holding.

At that moment, Wyatt comes in mad.

WYATT

That woman drives me crazy!

(really mad)

How dare she?!

Wyatt stops as he sees his brother holding the tupperware.

WYATT (CONT'D)

Chris!

Chris looks serious at Wyatt.

CHRIS

Is this what I think it is?

Wyatt was caught.

WYATT

I ---

CHRIS

(astonished)

You went back there?

WYATT

I was looking for him and I found ---

CHRIS

(mad)

You found a piece of flesh and kept it. You are crazy, aren't you?

WYATT

He is a demon, Chris.

CHRIS

You've said that a thousand times. And I'm gonna say this a thousand times if needed, Wyatt. 

(pauses)

Your wife let him go because she had a reason.

WYATT

A reason I cannot understand.

CHRIS

But I can.

Chris is really mad. He puts the tupperware on the desk.

CHRIS (CONT'D)

Are you tracking him?

Wyatt deviates his eyes from his brother proving he is right.

CHRIS (CONT'D)

If she finds out ---

WYATT

(cuts her off)

I don't care!

(pauses)

He's a demon. I vanquish demons. Especially those who tried to take what's mine!

Chris stares at him. Wyatt heads towards his chair. He sits.

CHRIS

Let me ask you something.

Wyatt doesn't look at his brother.

CHRIS (CONT'D)

Do you still love her?

Wyatt looks at Chris.

CHRIS (CONT'D)

Like before?

Wyatt takes a few moments to answer.

WYATT

Chris ---

Wyatt takes a deep breath.

WYATT (CONT'D)

(looks to Chris)

Why do you think I'm so mad at this?

CHRIS

Then act like that, otherwise, you'll lose her.

Wyatt is about to say something, but at that moment, Tamora comes in fast dragging Sebastian inside the office.

TAMORA

Guys, I need you to meet someone.

Chris turns to Tamora. Wyatt stands.

TAMORA (CONT'D)

This is Sebastian Whitmore and we all have a friend in common.

Wyatt and Chris stare at Tamora and Sebastian not understanding anything.

CUT TO:

EXT. HALLIWELL MANOR - DAY

The facade of the manor is shown.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Prue walks from a side to another. She seems really mad. Melinda and Bianca are there looking at her.

PRUE

He is so --- he is so ---

(pauses)

Grrrr!

Charlotte comes in with a cup of tea. She approaches Prue.

CHARLOTTE

(to Prue)

This would make you feel better.

Prue stares at her.

CHARLOTTE (CONT'D)

Drink it!

Prue looks at the cup for seconds and then she takes it. Prue has a sip of tea.

MELINDA

So, it didn't go well, huh?

PRUE

It was awful! I can believe he made me go through this humiliation.

BIANCA

Well, Prue, it's couples therapy. It always bad.

CHARLOTTE

Hey, I have an idea.

They look at Charlotte.

CHARLOTTE (CONT'D)

Why don't we go on a girls' night out?

Melinda and Bianca exchange glances.

BIANCA

I think it may be a good idea.

MELINDA

Yeah.

PRUE

Well, I don't. I'm angry.

CHARLOTTE

It will do you well. For a night you won't think about Wyatt. We'll be together as before.

Melinda and Bianca exchange glances and smile.

MELINDA

I think Charlotte is right.

Prue looks at Charlotte. Charlotte nods yes enthusiastic. Prue is about to answer, but Pandora BEAMS in front of Charlotte.

PANDORA

(to Charlotte)

I found the perfect lingerie for you to take on your trip!

Charlotte shoots Pandora a look. Pandora turns around a sees Prue, Melinda and Bianca there.

PRUE

(to Charlotte)

Where are you going? And with the perfect lingerie?

Charlotte smiles shy.

CHARLOTTE

I was planning on visiting Eric.

Prue and Charlotte stare at each other for moments. Then, Prue smiles.

PRUE

You should go.

CHARLOTTE

No, no, I'm staying. You need me.

Prue smiles and hugs her sister.

PRUE

Girls night out and then you go.

Both Prue and Charlotte look at each other.

CHARLOTTE

(smiles)

I'm game.

They smile. Melinda, Bianca and Pandora smile too.

PANDORA

(smiles)

I'll let the girls now.

Pandora smiles big.

CUT TO:

EXT. BAY MIRROR - DAY

Facade.

CUT TO:

INT. MIRROR'S MAGAZINE - WYATT'S OFFICE - DAY

Wyatt and Chris are there as well as Tamora and Sebastian.

WYATT

Tam, I don't understand. What is this about?

TAMORA

Sebastian is looking for Melissa.

CHRIS

Mr. Whitmore, why are you looking for Melissa?

Sebastian seems confused.

SEBASTIAN

I'm confused as well.

Sebastian looks at Tamora.

SEBASTIAN (CONT'D)

Who are they?

TAMORA

Oh, right. They are my cousins. Wyatt and Chris Halliwell.

Sebastian looks at Wyatt and Chris.

SEBASTIAN

Halliwell?

TAMORA

Wyatt is the boss and Melissa's ex.

SEBASTIAN

(to Wyatt and Chris)

Do you know where Melissa is?

Wyatt and Chris exchange glances.

WYATT

How do you know Melissa, Mr. Whitmore?

CHRIS

Yeah, and what do you want from her?

Sebastian looks at Tamora.

SEBASTIAN

Hum, I ---

(takes a deep breath)

She is my father's best friend's daughter.

(pauses)

I promised him I would find her.

WYATT

Why?

Sebastian stares at them seriously.

SEBASTIAN

To do what you're doing.

Wyatt and Chris exchange glances.

SEBASTIAN (CONT'D)

(to Tamora)

Halliwell, you said?

Tamora nods. Sebastian smiles.

SEBASTIAN (CONT'D)

(so natural)

You're witches!

BEAT. Wyatt, Chris and Tamora exchange glances.

TAMORA

What? We --- What?

SEBASTIAN

(to Tamora)

Are you ---? I mean you're not a Halliwell?

TAMORA

Not by name, but by blood.

Sebastian smiles.

WYATT

Mr. Whitmore, huh, how ---?

SEBASTIAN

Don't ask me how I know. It's a long story.

They still seem astonished.

SEBASTIAN (CONT'D)

If you know where Melissa is, does that mean she's protected?

Wyatt and Chris exchange glances.

SEBASTIAN (CONT'D)

I know you don't know me, but trust me. All I want to do is protect her from ---

(pauses)

--- Well, I don't know if it's the right designation, but my father always called them demons.

Wyatt and Chris exchange glances.

CHRIS

Mr. Whitmore ---

SEBASTIAN

Please, call me Sebastian.

CHRIS

Sebastian, why would you want to protect Melissa?

Sebastian is serious.

SEBASTIAN

Because before dying, her father gave her something. And for centuries, the evil side has been looking for that something. And our families swore to protect it.

WYATT

(confused)

Your families?

SEBASTIAN

Melissa is a distant relative of mine.

(pauses)

Centuries ago, some items were passed on from parents to sons and daughters. Those items were ours to protect. In some point of history, our families decided to separate those items and each family took a different path just to protect what they were given to protect.

Wyatt, Chris and Tamora listen.

SEBASTIAN (CONT'D)

Until, my father, Jeremiah Whitmore and Elliot Cooper, two curious minds, found each other. Elliot was killed before he could pass his knowledge to his daughter. My father thought that while she was a child there would be no problem. But before he died, he made me promised that I would find her and make sure she's safe.

Wyatt, Chris and Tamora stay silent looking at Sebastian.

SEBASTIAN (CONT'D)

I can prove it.

TAMORA

(serious)

I believe you.

Tamora looks at Wyatt and Chris.

TAMORA (CONT'D)

He's my charge.

(turns to Sebastian)

Now, I understand why they assigned me as your Whitelighter.

SEBASTIAN

My what?

TAMORA

It's like a guardian angel.

Sebastian smiles. Both share a look. Yeah, that look.

WYATT

Well, Mr. Whitmore ---

(pauses)

--- Sebastian, we'll take you to Melissa.

Sebastian shoots them a thankful look.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. WHITMORE MANSION - DAY

The facade of the big mansion is shown.

CUT TO:

INT. WHITMORE MANSION - ROOM - DAY

In the room where the Whitmore's art collection is kept is the Butler. He's organizing some books on the shelve. Behind him, Ignatius FLAMES in. Ignatius approaches the Butler. The Butler doesn't realize Ignatius presence. Ignatius approaches his hands towards the Bulter's head. He touches her head and the Butler starts feeling pain.

IGNATIUS

(calm)

Easy, easy. I just want you to obey my orders.

The butler falls down on his knees.

IGNATIUS (CONT'D)

You'll help me to find the Books of Angels.

Ignatius is using some kind of MIND CONTROL over the poor man. Soon, the Butler starts calming down. He is serious.

BUTLER

Yes, I will.

Ignatius smiles wickedly and lets go of the man. The butler stands and turns to Ignatius.

IGNATIUS

So, where does he keep it?

BUTLER

In the secret room.

The butler looks like empty.

IGNATIUS

Where's that room?

BUTLER

In the basement.

IGNATIUS

Take me there.

BUTLER

I can't. He has the key. The place is protected by amulets.

IGNATIUS

Well, Mr. Whitmore has taken a lot of work to protect it. Fair enough to take the book in front of his eyes.

Ignatius grabs the Butler by his shoulders.

IGNATIUS (CONT'D)

Well, my friend, we'll wait for Mr. Whitmore and we'll make it fun.

Ignatius smiles wickedly.

IGNATIUS (CONT'D)

Now, get back to your duties. When Mr. Whitmore arrives, come find me here.

BUTLER

Yes.

The Butler walks out of the room while Ignatius watches him. Then Ignatius smiles.

IGNATIUS

If one wants a job well done, we'd better finish it all.

Ignatius smiles wickedly.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Fast motion takes from all over the town. The sun has set already and the moon is covered by the clouds. It appears like a cold night in San Francisco.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Sebastian and Tamora are there. They are sitting on the sofa, talking.

SEBASTIAN

Why didn't you tell me who you were?

TAMORA

How would I know you knew about witches?

Sebastian smiles.

SEBASTIAN

True.

At that moment, Chris comes in.

CHRIS

Well, the electric heating is on.

TAMORA

I don't like cold nights.

Tamora stands.

CHRIS

Everybody is out.

TAMORA

You mean Prue is out.

Chris shoots Tamora a look.

TAMORA (CONT'D)

Girls night. They texted me, but ---

(looks at Sebastian)

I've got better things to do.

Sebastian smiles at her. At that moment, Wyatt ORBS in bringing Melissa. Sebastian stands astonished.

SEBASTIAN

That was --- cool.

Tamora smiles.

WYATT

Sorry, it took so long. Fiona was busy with something.

Sebastian looks at Melissa.

MELISSA

(to Wyatt)

I still don't understand why you brought me here. I thought I had to stay away till you find that demon.

WYATT

Well, because there's someone that needs to see you.

Wyatt points to Sebastian. Melissa looks at him, but she doesn't know who he is.

SEBASTIAN

(smiles)

Hi!

MELISSA

(confused)

I don't understand.

(to Sebastian)

Who are you?

CHRIS

Melissa, he is Sebastian Whitmore.

Melissa looks at Chris and then at Sebastian.

MELISSA

Your name sounds familiar, but I really don't know you.

SEBASTIAN

I'm Jeremiah Whitmore's son.

The name Jeremiah seems to have brought something to Melissa's mind.

MELISSA

Jeremiah ---

She thinks for a while.

MELISSA (CONT'D)

Wait, my father had a friend called Jeremiah. I saw him once at home.

Sebastian smiles.

SEBASTIAN

He was my father. They were friends.

Melissa looks at Wyatt.

SEBASTIAN (CONT'D)

(to Melissa)

I'm sorry for what happened to him. Your father.

Melissa lowers her gaze.

MELISSA

I still don't understand. What do you want from me?

WYATT

Melissa, you and Sebastian are distant relatives.

Melissa is astonished.

MELISSA

What?

SEBASTIAN

Yeah, in the past our families agreed in taking different paths. But our fathers found each other.

MELISSA

But why?

SEBASTIAN

To protect ---

Sebastian looks at Wyatt, Chris and Tamora.

SEBASTIAN (CONT'D)

--- Certain things.

MELISSA

You mean the medallion?

Sebastian looks at the others again.

SEBASTIAN

(to Melissa)

They know about the medallion?

Melissa nods.

SEBASTIAN (CONT'D)

Yes, I mean the medallion and other things.

MELISSA

But why?

SEBASTIAN

Well, because demons have tried to find them through centuries.

Melissa lowers her gaze.

SEBASTIAN (CONT'D)

(curious)

Where is it?

Wyatt and Chris exchange glances.

SEBASTIAN (CONT'D)

Is it safe?

Melissa looks at Sebastian.

MELISSA

He took it.

Sebastian swallows.

SEBASTIAN

What?

WYATT

It happened a few days ago. A demon took it.

SEBASTIAN

How?

MELISSA

It was my fault. I wanted to keep it as a memory of my father and ---

(pauses)

--- Oh, I'm so stupid.

Wyatt approaches Melissa and touches her shoulder as if he wants to support her.

WYATT

No, you're not.

CHRIS

Mr. Whitmore, you know who may want that medallion and for what?

SEBASTIAN

Well, the who I don't know and the why well, I don't know much. When our families received the items to protect, the only thing that was said was that evil could never put a hand on them. Otherwise, it would be like releasing hell on Earth.

Chris and Wyatt exchange glances.

SEBASTIAN (CONT'D)

That's why we need to find that medallion.

CHRIS

(curious)

Sebastian, apart from those items you're talking about, is your family somehow magical?

SEBASTIAN

You mean if we have some magical power?

Chris nods. Sebastian smiles.

SEBASTIAN (CONT'D)

I wish, but no. My family and Melissa's are mortals. Ordinary people with the task of protecting what was given to us.

MELISSA

And I failed it.

Sebastian approaches Melissa.

SEBASTIAN

No, you didn't. you kept it safe for years and didn't even know why.

Melissa hugs Sebastian emotional. Wyatt, Chris and Tamora exchange glances.

WYATT

We are doing everything we can to find the medallion.

Melissa and Sebastian separate.

SEBASTIAN

We have to do more than that. Our families have given their lives to protect it. We really need to find it.

WYATT

(assuring)

Sebastian, we will find it.

SEBASTIAN

Thank you.

Wyatt and Sebastian look each other serious.

CUT TO:

EXT. S.F. POLICE DEPARTMENT - NIGHT

Some police cars are parked outside.

CUT TO:

INT. S.F. POLICE DEPARTMENT - MAIN ROOM - NIGHT

Junior is gathered with a pair o officers. They are talking about something funny once they're laughing.

Olivia comes in and glances around. Junior's eyes meet hers and both look at each other. Junior says something to the cops and then heads towards Olivia.

JUNIOR

Dr. Clark! To what do I owe the pleasure?

Olivia smiles.

OLIVIA

I know what you did.

Junior shoots her an 'I don't know what you mean' look.

OLIVIA (CONT'D)

Your father. He told me you found him a job at your cousin's restaurant.

JUNIOR

My father?

OLIVIA

Christopher.

JUNIOR

He is ---

OLIVIA

(assuring)

He is. Whether you like it or not. You are his blood.

JUNIOR

Yeah, well. I did nothing.

OLIVIA

Oh, but you did. You are giving him a second chance.

Both stare at each other.

OLIVIA (CONT'D)

I think you care about him more than you like to admit.

Olivia smiles.

OLIVIA (CONT'D)

Anyway, I just came to tell you that I am truly happy with it.

Olivia approaches Junior and kisses him on the cheek. Both stare at each other for seconds. Then Olivia turns to leave.

JUNIOR

Olivia.

Olivia turns to Junior.

JUNIOR (CONT'D)

Do you have any plans for dinner?

Olivia smiles and gives him a seductive look. Junior smiles too.

CUT TO:

EXT. WHITMORE MANSION - NIGHT

A few lights are on. Sebastian's car is parked outside.

CUT TO:

INT. WHITMORE MANSION - LIVING ROOM - NIGHT

Sebastian comes in followed by Tamora. Sebastian approaches the bar and takes two glasses.

TAMORA

I'm really glad you and Melissa met.

Sebastian smiles.

SEBASTIAN

Yeah. It's a shame she lost the medallion.

TAMORA

My cousins, they will find it. They are good.

Sebastian smiles while he puts some beverage into the glasses.

SEBASTIAN

I never thought our family lines would meet again.

TAMORA

What do you mean?

SEBASTIAN

I'll tell you my story some day.

Sebastian takes the glasses and walks over Tamora. He hands her one.

SEBASTIAN (CONT'D)

Let's make a toast.

TAMORA

(taking the glass)

To what?

SEBASTIAN

To us. To destiny. To life.

Tamora smiles. They toast and then have a sip of their drinks. They both stare at each other.

TAMORA

Sorry, I was mad at your earlier.

SEBASTIAN

It's OK. You didn't know.

Sebastian gets closer to her. Tamora lowers her gaze.

TAMORA

I think I should better leave.

(looks at him)

You're safe at home, now.

Sebastian is serious. They look each other deeply in the eyes.

SEBASTIAN

I don't want you to leave.

Sebastian touches Tamora's face softly.

SEBASTIAN (CONT'D)

I want you to stay. Here. With me.

Tamora seems a little bit nervous.

TAMORA

If I stay I ---

(pauses)

--- We may end up doing things that we would regret in the morning.

SEBASTIAN

There's nothing in this world that would make me regret of being with you.

Both faces are closer and closer. Soon, their lips touch each other's and share a very passionate kiss. Sebastian holds her as if there's nothing else that matters and Tamora runs her hands through his hair. Both keep kissing.

CUT TO:

INT. WHITMORE MANSION - ROOM - NIGHT

In the room, Ignatius is sitting on a couch reading a book. Oh, yes, some demons may like a good reading.

The Butler comes in.

BUTLER

Mr. Whitmore has arrived.

Ignatius closes the book and stands.

BUTLER (CONT'D)

Miss Mitchell has come with him.

Ignatius smiles wickedly.

IGNATIUS

This night is getting very interesting.

(to the Butler)

Where are they?

BUTLER

They went upstairs.

IGNATIUS

Let's them have fun. Then, I'll have fun.

Ignatius keeps the wicked smile on his face.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. P3 - NIGHT

Is P3's night off, so no one's there. Still, some music is heard from inside.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The music is loud. In the middle of the dancing floor is Prue wearing a sexy red dress and she is... well, dancing alone. She seems like she's having fun. Well, she actually seems like she has drunk a few drinks.

At the tables close by are Bianca, Melinda and Pandora. Charlotte approaches them with drinks. Cassandra is at the DJ's table playing music.

CHARLOTTE

(looking at Prue)

She's really having fun.

BIANCA

Shouldn't we take her home? She's drunk too much.

MELINDA

Oh, let her! I hope she gets drunk enough to get home and head to Chris' bedroom!

Melinda smiles as she gets a sip of her drink.

PANDORA

Where Wyatt is sleeping.

Pandora smiles as she and Melinda exchange glances.

BIANCA

Oh, Mel, you are naughty!

MELINDA

No, I'm just a good sister that wants to see her brother and his wife content.

Melinda keeps smiling. Prue approaches them and takes one of the drinks Charlotte brought.

PRUE

You guys should dance. This music is so fun.

Prue smiles. She's really drunk. Prue gets back to the dancing floor and keeps dancing. Cassandra approaches them.

CASSANDRA

(to Charlotte)

What are you adding to her drinks?

CHARLOTTE

Don't blame me. I'm just the barmaid.

MELINDA

Oh, little Cass, that's a little recipe Prue and I invented.

PANDORA

Yeah, Tamora and I enjoyed college because of that.

BIANCA

You guys!

CHARLOTTE

Where's Tam anyway?

PANDORA

She texted saying that she was in the middle of something.

MELINDA

Yeah, maybe with her millionaire guy.

They keep laughing and Prue keeps dancing. At that moment, the pair of Parasite Demons FADE in behind Pandora and Bianca. The girls don't see them. They look at them and exchange glances. Prue turns around and stops as she sees them.

PRUE

You two need some sunlight! Urgent!

The girls look at Prue confused. Charlotte looks back and sees the pair of Parasite demons behind Bianca and Pandora.

CHARLOTTE

Grils, I think we've got a problem.

Charlotte points to the demons. Parasite Demon #1 is fast and grabs Bianca fast.

CASSANDRA

(worried)

Prue, do something!

Prue stands there as the Parasite Demon #1 FADES out taking Bianca. Pandora is about to ORB out, but Parasite Demon #2 grabs her fast and FADES out too.

MELINDA

They took them!

They look at Prue.

CHARLOTTE

(to Prue)

Prue!

PRUE

Oops!

Melinda, Charlotte and Cassandra exchange glances. Prue stands in the middle of the dancing floor, not dancing at all.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

Lights are on.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Prue is sitting on the couch, feeling bad. Charlotte approaches her and hands her a cup of coffee. Wyatt and Chris are there too. Wyatt stands in front of Prue. He is mad. Really, really mad.

WYATT

(mad)

Two demons, Prue. You let two demons get away!

Wyatt puts a big emphasis on the word 'two'. Melinda and Cassandra come in. Melinda comes holding the Book of Shadows.

MELINDA

In her defense, we all let two demons get away.

Prue has a sip of the coffee. Charlotte is next to her while she drinks the coffee.

CHRIS

Did you find anything?

Melinda nods yes.

MELINDA

Parasite Demons.

CHRIS

Weren't they vanquished?

MELINDA

A long time ago, yes they did.

Wyatt keeps looking at Prue, mad. She doesn't even look up to him.

WYATT

(looking at Prue)

How were they vanquished?

MELINDA

Mum and the Crone did.

Wyatt turns to Melinda.

WYATT

Weren't those the ones who tried to buy me?

MELINDA

The same indeed.

Wyatt turns to Prue.

WYATT

And you let them get away?

Prue has a sip of her coffee.

MELINDA

Wyatt, stop it.

CHARLOTTE

Yes, Wyatt. We all were there.

CASSANDRA

And we didn't use our powers either.

WYATT

(points to Prue)

She had the power to blow them up and she didn't because she was too drunk!

Prue stands quickly.

PRUE

I'm sorry, OK?!

Both stare at each other.

CHRIS

(to Melinda)

How do we find them?

MELINDA

There's the market.

CHRIS

It was destroyed by our mothers.

MELINDA

Yeah, well, have you heard of rebuilding. They may be there.

Wyatt turns to Chris.

WYATT

Let's go there, Chris.

PRUE

I wanna go too.

Wyatt turns to Prue.

WYATT

No, you don't. You're not in conditions to fight demons.

PRUE

I'm want to go, Wyatt. 

(assures)

I will go.

Wyatt looks at her up and down.

WYATT

Dressing like that?

Charlotte takes out her coat and hands it to Prue.

CHARLOTTE

Take it.

Prue takes the coat and looks at her sister. Both share a smile.

CHARLOTTE (CONT'D)

Now you can go.

Prue thanks her with her eyes and puts the coat on. Wyatt stares at her.

CHRIS

Let's go then!

Both Chris and Melinda exchange glances.

CUT TO:

INT. WOODS - NIGHT

Wyatt leads the way. Chris and Prue walk behind.

WYATT

It should be around here.

Two demon guards literally walk out of two trees.

DEMON GUARD #1

What do you want here?

WYATT

(daring)

Where's the market?

DEMON GUARD #2

Witches are not allowed.

WYATT

We are not any witches.

The demons exchange glances.

WYATT (CONT'D)

So?

The demons look seriously at Wyatt.

DEMON GUARD #1

We can't let you go in.

WYATT

Well, in that case ---

Wyatt smiles and WAVES his hand. Using ELECTROKINESIS he vanquishes Demon Guard #1. Chris and Prue exchange glances. Wyatt turns to Demon Guard #2.

DEMON GUARD #2

There's no need.

Demon Guard #2 WAVES his hand and a portal-like door appears between two trees. Wyatt turns to Demon Guard #2.

WYATT

Now, tell me. Where can I find a pair of Parasite Demons?

Demon Guard #2 looks serious at Wyatt.

DEMON GUARD #2

Would you spare my life?

WYATT

Of course. I just came for those Parasites.

Wyatt almost seems nice.

DEMON GUARD #2

Their old place. Just walk all the way through the market and you´ll see it. Seems abandoned.

Wyatt smiles.

WYATT

Thank you.

Then, Wyatt WAVES his hand again and using MOLECULAR COMBUSTION he vanquished the Demon Guard #2.

Wyatt turns to Prue.

WYATT (CONT'D)

(sarcastic)

See how is done?

Wyatt walks through into the market. Chris and Prue exchange glances again.

CUT TO:

INT. DEMONIC MARKET - NIGHT

There are lots of demons in there. Some selling. Some buying. The streets are crowded.

CUT TO:

INT. PARASITE DEMONS' PLACE - NIGHT

Both Bianca and Pandora are tied up. Bianca tied up to a table while Pandora is tied up to a chair. Both seem to be barely conscious. The Parasite Demons stand beside them.

PARASITE DEMON #1

For our revenge to be complete we needed the entire family.

PARASITE DEMON #2

This is a good start. Then we get the others.

PANDORA

(weak)

Bianca --- Bianca ---

BIANCA

I'm ---

PARASITE DEMON #2

Shut up, witches!

The Parasite Demons starts feeding on them. Parasite Demon #1 on Bianca and #2 on Pandora. Both Pandora and Bianca get even weaker.

At that moment, Wyatt comes in followed by Chris and Prue. Wyatt WAVES his hand and Parasite Demon #2 blows up.

Parasite Demon #1 stops feeding on Bianca.

PARASITE DEMON #1

Look! The baby has grown.

WYATT

I'm glad you remember me.

Parasite Demon #1 reaches out her hands and starts feeding o Wyatt, but Wyatt uses all the strength he has and WAVES his hands. Soon, Parasite Demon #1 blows up. Prue and Chris stand astonished. Wyatt approaches Pandora and unties her.

WYATT (CONT'D)

(to Pandora)

Are you OK?

PANDORA

I'll be.

Chris approaches Bianca and unties her. He helps her stand. Prue is seriously looking at Wyatt. Wyatt realizes she is looking at him. Then, Prue rushes to help Pandora. Both Prue and Wyatt help Pandora to stand. Both look into each other's eyes.

CUT TO:

INT. OLIVIA CLARK'S APARTMENT - ENTRANCE HALL - NIGHT

The lights are off. The door opens. Olivia comes in followed by Junior. She puts her purse on the entrance furniture. She turns to Junior.

OLIVIA

I had a really great night.

JUNIOR

I'm glad you enjoyed.

Olivia smiles.

OLIVIA

I did.

Both stare at each other.

OLIVIA (CONT'D)

Do you want to come him?

There seems to be a certain tension between them both.

JUNIOR

I don't know. I should go home.

OLIVIA

I wouldn't mind if you stay.

She shoots him a look. Yeah, that look. Both stare at each other. Junior closes the door behind him. Then, both run to each other and kiss passionately.

Junior leans Olivia against the wall and both keep kissing very passionately. Then, both look into each other's eye. Olivia takes Junior's hand and drives in into the apartment.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. HALLIWELL MANOR - NIGHT

The living room light is on.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Bianca is on the sofa having a cup of tea. Chris is beside her. Melinda and Prue are sitting on the couches in front of them.

MELINDA

(to Bianca)

Feeling better?

BIANCA

Yeah.

CHRIS

You are strong, babe.

Bianca smiles.

BIANCA

I just want to go home and rest.

PRUE

You do that. We should all get some rest.

Prue stands.

PRUE (CONT'D)

If you'd excuse me.

Prue stands.

PRUE (CONT'D)

See ya tomorrow, guys.

MELINDA

Bye.

Chris and Bianca sign her bye. Prue leaves the living room. Melinda and Chris look at each other.

MELINDA (CONT'D)

It's a shame tonight ended this way.

Melinda and Bianca look sad at each other.

CUT TO:

INT. HALLIWELL MANOR - CHRIS' BEDROOM - NIGHT

The table lamp is on. Wyatt approaches the bed. He's wearing only pajamas pants. Someone knocks the door.

WYATT

Come in.

Prue comes in. Wyatt looks at her.

PRUE

Hey, can we talk?

Wyatt nods. Prue enters and closes the door behind her. She approaches the bed and sits. Wyatt gets into a sitting position.

WYATT

How's Bianca?

PRUE

Better.

Both stare at each other.

WYATT

What is that you want to talk about?

PRUE

Well, hum ---

Prue takes a deep breath.

PRUE (CONT'D)

I know you'll be mad at me, but I need to tell you.

WYATT

What is it, Prue?

Prue takes courage and speaks.

PRUE

Remember the other day when I touched the medallion and I had that vision?

Wyatt nods.

WYATT

The vision where all you could see was darkness.

PRUE

Exactly.

(pauses)

Well, that wasn't the first time I saw something like that. Actually, I've been seen it a lot lately ---

(pauses)

--- In my dreams. Like nightmares.

Wyatt looks serious at her.

WYATT

Why didn't you tell me?

PRUE

Well, because we haven't been in a good moment.

WYATT

You should have told me anyway.

Prue lowers her gaze.

PRUE

That's not all.

Wyatt looks at her waiting.

PRUE (CONT'D)

Chris told me about Tam's friend. That's why I think you should know what I found.

(pauses)

Or what I was told.

Prue takes a deep breath.

PRUE (CONT'D)

After the vision I had with the medallion I decided to call someone who could know more.

WYATT

(suspicious)

Who?

PRUE

Raina.

Wyatt can't believe it. He stands mads.

WYATT

I can't believe that, Prue. Why did you go to that witch!

PRUE

Because I needed answers. I told you that.

Wyatt is really mad. He turns his back on her.

PRUE (CONT'D)

She said that the medallion may be the key to unlocking something that was locked down eons ago.

(stands)

A very dark thing.

Wyatt turns to Prue.

WYATT

I don't care what she said. I prefer to look for answers myself. I don't trust her.

PRUE

Well, I do.

Both stare at each other.

WYATT

After all she did?

Prue rolls her eyes.

PRUE

Wyatt, I believe what she told me is right.

WYATT

Well, I told you, I don't. And I don't want you to see that woman again.

(pauses)

Are we clear?

Both stare at each other.

PRUE

(serious)

Yes, boss!

Prue turns around and heads towards the door. She stops.

PRUE (CONT'D)

You know ---

Prue turns to face Wyatt.

PRUE (CONT'D)

--- This new attitude of yours. The bossy Wyatt. The demons' killer. It reminds me of him.

They stare at each other.

PRUE (CONT'D)

That Wyatt from the dark reality.

Both keep staring at each other.

PRUE (CONT'D)

And that ---

A certain tension is felt between them.

PRUE (CONT'D)

--- That turns me on.

And there's the look. The normal look between a man and woman that feel something for each other.

Prue walks fast over Wyatt. Wyatt holds her in her arms and both kiss very passionately. Like if nothing else matters.

Wyatt kisses her neck very passionately. Then he turns her around and unzips her red dress. And keeps kissing her neck. He turns her around and both face each other. Wyatt swallows. He kisses her again. Prue passes her hands over his back.

What happens next, it's not for us to see because we are ---

CUT TO:

INT. WHITMORE MANSION - SEBASTIAN'S BEDROOM - NIGHT

Tamora and Sebastian are lying on the bed. They're kissing. Sebastian smiles and looks at her.

SEBASTIAN

You're beautiful.

Tamora smiles.

TAMORA

I'm glad you know who I am.

SEBASTIAN

I think I always knew. My guardian angel.

Sebastian smiles.

TAMORA

Whitelighter.

Sebastian smiles again and kisses her. Then, he stares at her.

TAMORA (CONT'D)

What?

SEBASTIAN

I need to show you something.

Sebastian stands. He puts his robe on.

SEBASTIAN (CONT'D)

Come.

Tamora looks at him wondering what is it that he wants to show her. He signs her to stand. Tamora smiles.

CUT TO:

INT. WHITMORE MANSION - BASEMENT - NIGHT

The blue lights turn on. Sebastian comes downstairs followed by Tamora who's wearing one of Sebastian shirts. She looks around.

TAMORA

What is this place?

SEBASTIAN

It is where I keep my part of the objects that were given to us to protect.

TAMORA

You really took the job seriously. There are amulets everywhere.

The girl looks up.

CLOSE UP: AN AMULET HANGING ON THE ROOF.

A few amulets hang on the roof.

SEBASTIAN

Yeah, well, I had to.

Sebastian takes her hand and drives her towards the glass table where the books are. Sebastian points to the books.

CLOSE UP: THE SEVEN BOOKS OF ANGELS EACH ONE WITH ROMAN NUMBERS IN THE COVER.

TAMORA

What are those?

SEBASTIAN

Remember Anthony?

Tamora nods.

SEBASTIAN (CONT'D)

He was looking for these books.

(pauses)

The Books of Angels.

TAMORA

(serious)

This is what you are protecting?

Sebastian nods.

SEBASTIAN

They cannot get into the wrong hands.

Both Tamora and Sebastian stare at each other.

IGNATIUS (O.S.)

That's why I should take them.

Ignatius stands at the top of the stairs. Beside him is the Butler. Sebastian and Tamora turn to see Ignatius.

TAMORA

(to Ignatius)

Who are you?

Ignatius comes downstairs. Sebastian looks at the Butler.

SEBASTIAN

(to the Butler)

What did you do?

CLOSE UP: BUTLER'S HAND. HE'S HOLDING AN AMULET.

The butler has no reaction. Seems empty. Ignatius realizes to where Sebastian is looking at.

IGNATIUS

Oh, yes. That one was the only one who could keep me outside. The others ---

(waves his hand)

--- Are nothing against me.

Tamora gets in front of Sebastian.

TAMORA

(to Ignatius)

Who the hell are you and what do you want?

IGNATIUS

(smiles)

I'm not hell, that's for sure, but I'm willing to release hell on Earth.

(pauses)

What do I want?

Sebastian and Tamora look at him.

IGNATIUS (CONT'D)

I want something to help me.

Ignatius looks at the books. Sebastian realizes that Ignatius has put his eyes on the books.

IGNATIUS (CONT'D)

(looking at the books)

And I'm so close to getting it.

Ignatius looks at them. Then, Ignatius WAVES his hand and throws both Sebastian and Tamora against a wall. They stay down for moments.

Ignatius approaches the glass table. Sebastian tries to stand. He looks at Ignatius close to the table. Ignatius passes a hand on the glass. Then Ignatius WAVES his hand and unlocks the locker. He WAVES his hands again to open the glass. Now he is about to put hands on the books. Sebastian sees it all. Tamora is still on the floor. Sebastian seems desperate.

Ignatius smiles. He's about to touch the seventh book.

CLOSE UP: IGNATIUS' HAND APPROACHING THE BOOK WITH A BLACK COVER AND THE ROMAN NUMBER VII ON ITS COVER.

Desperate, Sebastian stands and runs fast towards Ignatius. But Ignatius is faster and realizes that Sebastian is approaching him.

The following images happen in slow motion. Ignatius creates an ENERGY BALL and throws it at Sebastian. Tamora is on the floor looking at it all. Sebastian is hit by the ENERGY BALL on the chest and it's thrown all the way against the wall.

Tamora screams aloud.

TAMORA

SE-BAS-TIAN!

Tamora runs towards him. Ignatius smiles wicked. Now the images get back to normal. Tamora lowers down. Sebastian is covered with blood. Tamora cries hard.

TAMORA (CONT'D)

(to Ignatius)

Why did you do this?

Tamora cries even more. Sebastian is agonizing on the floor. Tamora doesn't know what to do.

Ignatius puts his hands on the seventh book. Shoots them a last look and then, FLAMES out.

TAMORA (CONT'D)

Sebastian, please. Don't.

SEBASTIAN

(forcing a smile)

I guess it was my destiny.

TAMORA

(crying hard)

No, no. Please. Don't leave me.

(calling)

Chris!

The Butler approaches them.

SEBASTIAN

(to Tamora; dying)

You know what hurts the most?

Tears don't stop running down Tamora's face.

SEBASTIAN (CONT'D)

Not finding you sooner.

Tamora cries. She lowers to Sebastian and both kiss.

TAMORA

I love you.

Sebastian smiles. Then nothing. His eyes stay still. His heart stops beating. Tamora looks at him.

TAMORA (CONT'D)

(worried)

Sebastian!

She shakes Sebastian, but nothing. He has died. The Butler covers his own face with his hands.

TAMORA (CONT'D)

Sebastian!

(calling)

CHRIS! CHRIS! MUM! PLEASE!

She cries hard. Chris ORBS in. He looks around and sees Tamora on the floor and Sebastian's dead body. He approaches them. Chris takes Sebastian's pulse.

TAMORA (CONT'D)

(to Chris; begging)

Please!

Chris nods no. Tamora cries even more and hugs Sebastian. Chris seems really shocked. Chris approaches his hand to Sebastian's eyes and closes them. Tamora cries hugging Sebastian's body.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT

Melinda is desperately knocking at Wyatt and Prue's bedroom.

MELINDA

Prue! Wake up!

Prue and Wyatt come out of Chris' bedroom. Wyatt is wearing only briefs while Prue wears Wyatt's shirt.

WYATT

What's going on?

Melinda looks at them. She's really desperate.

MELINDA

Something bad happened.

A tear runs down Melinda's face.

MELINDA (CONT'D)

It's Tam.

Wyatt and Prue exchange worried glances.

CUT TO:

EXT. SAN FRANCISCO - DAY

MUSIC: 'WHAT HURTS THE MOST' by the Rascal Flatts.

A new day has come, a rainy one. It looks like the sky is also crying for Sebastian.

CUT TO:

INT. CEMETERY - DAY

MUSIC KEEPS PLAYING.

The coffin is there. Only the Halliwells, Damon, the Butler and Melissa are there at Sebastian's goodbye ceremony. Tamora is close to the coffin. Henry and Paige are next to her. Henry hugs his daughter who seems heartbroken. The priest is speaking. Tamora cries hard at every word.

Prue and Wyatt are holding hands. Both seem really sad. Chris has an arm around Bianca. Melinda and Damon are holding hands too. Melissa is close to the coffin as well, right beside the Butler. Pandora, Junior, Cassandra and Charlotte are behind. Piper, Leo, Phoebe and Coop are also there. They all are surrounding the coffin. They also are holding umbrellas to cover themselves from the rain. And they all hold a white rose.

The priest ends his speech. Then Tamora approaches the coffin. She cries really hard. She puts the white rose over the coffin. She is getting wet. The tears mix with the rain. The rest of them can't hold their tears either. Melissa also approaches the coffin. She puts the rose on it too and then holds Tamora's hand strong.

Then, little by little each one of them approach the coffin and put the rose on the coffin.

MUSIC KEEPS PLAYING.

The camera moves away slowly showing a sad rainy day. As the music ends we ---

CUT TO BLACK.

END OF THE EPISODE